BOOK TITLE: The Australia Times - Ballroom magazine. Volume 1, issue 2
COMPANY NAME: THE AUSTRALIA TIMES
COMPANY URL: HTTP://WWW.THEAUSTRALIATIMES.COM
EMAIL: INFO@THEAUSTRALIATIMES.COM
THE
TIMES
BALLROOM
AUSTRALIA
Vol. 2August 2014
R
3
A Letter from the Editors
Welcome to our second edition of The Australia Times “BALLROOM”, we are eager to
present you with more stories and information about the world of DanceSport. In this
edition we have a look at what’s hot in DanceSport fashion, as well as a great interview
with David and Irena Brooks, long time ambassadors for the “Masters” section of
DanceSport Competition. Please enjoy our second edition. Jason & Erin.
ON THE COVER
David & Irena Brooks
Photo by Mark Gadsden
www.dancesportphoto.net
IN THIS ISSUE
Letter from the Editors...................Pg 3
The Questions you want to ask.....Pg 4
World Athlete’s Commission......Pg 14
WDC German Open...................Pg 16
Shenzhen China Open...............Pg 22
Blackpool Lecture Series.............Pg 30
Where Are They Now?.................Pg 40
Fashion Police.............................Pg 46
Have Your Say.............................Pg 50
Want to be a contributor?
Please email us
info@outsidechange.com.au
CONTRIBUTORS
David & Irena Brooks
Antonio Micheli
Hannes Emrich
Anthony Hurley
Julie Jones
Tony & Amanda Dokman
Chelsea Richardson
COMING NEXT MONTH
•Where Are They Now?
•World Athelete’s Commission
•Fashion Police
•We interview another great
Dancing Partnership
•and much much more!
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THE QUESTIONS YOU ALWAYS
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This month in “Off The Floor” we chat to one of Australia’s leading Masters 2 couples and Australia’s
representatives to the 2014 WDSF World Championships. What a great interview with two very genuine
people who obviously love to dance and really know what it takes to make it. We hope you enjoy David &
Irena’s interview with us at Outside Change.
Firstly, When, Where and Why did you both starting dancing?
Irena: My brother John tried to influence me to take Ballroom lessons when our children were young, but with
no partner and a husband who was not interested, the prospects of dancing were strictly limited. Many years
later, in 1996 I bought some raffle tickets from ‘Blue’ a work colleague, to help raise money for some local
ballroom dancers Jayne Robards now Dawson and Paul Witchard, who was Blue’s son. The following Sunday
we took our two youngest children Jacob and Emily to a social class at the local high school in Coffs Harbour.
By the end of 3 hours David was adamant he was not spending his Sunday afternoon watching everyone
dance, if he had to be there he wanted to learn as well! I was in shock! I never in my wildest dreams thought
my husband would ever take up ‘dancing’!!!
The next week our eldest son Samuel joined in and then the Brooks family of 5 were all on the dance floor in
the beginner class having a wow of a time. Our teacher Barry Paff was fabulous, we learnt the basics and for
most of the time still stumbled all over the place, but it was enjoyable and something we could all do together
as a family. Barry was and still remains one of the lightest men I have ever danced with. We have very fond
memories sharing this whole journey with our little family.
I recall the social classes were so much fun and the more experienced students helped out in these classes.
Afterwards we would stay and watch the competition dancers in their training session and couldn’t believe how
these young people could look so beautiful dancing together.
When I called my brother to tell him that we started social ballroom dancing, he was thrilled and said, ‘it’s about
time!’ He had been involved in ballroom for a good number of years at that time.
David: Ah yes that Sunday afternoon, Irena must have caught me at a weak moment. Coming from a Rugby
Union background having played for many years, I had no idea where it was all going to end up. We were in fact
actively looking for a sport or interest we could do together as a family and this was ideal as it involved us all.
I was always involved in sport, either squash, pistol and rifle shooting at a State level, basketball, cycling,
bowling and of course Rugby for St George for 13 years. But dancing? Well, that was certainly never on the
agenda.
So it would be true then, that you have not had any other dance partners?
No other partners, just each other.
We have heard you live quite far away from a main hub for Ballroom Dancing, so how many hours
of lessons do you have a week and how many hours of travelling time do you have to do?
Irena: We drive from Coffs Harbour to Brisbane (round trip 9 to 10 hours) once a month to have lessons. I
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THE QUESTIONS YOU ALWAYS
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Photo by Mark Gadsden dancesportphoto.net
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can sometimes utilise an RDO from work to accommodate and include a training session. Other than that,
our routine is to train two to three times per week in the local community hall depending upon availability. The
hall is awesome, beautiful floor, fully air-conditioned, surround sound system, full kitchen, projector and huge
screen. We are blessed to be able to train in such an amazing facility in regional Australia.
As our lessons are few and far between we rely on each other for support and motivation. Training without
someone overseeing your dancing is difficult, because you are never sure if your effort and hard work is exactly
what your coach intended you to be doing. So for us, the sharing of information and understanding of each
other’s role is very important.
Because we come from very different backgrounds, we tend to look at things very differently. David looks at
dancing from an engineering perspective, whereas my ballet background sees it from a totally different angle.
I essentially do what comes naturally, I like to dance the routine and then to break everything down and play
with the movement and music. Because we spend so much time away from our coach, we have to make the
most of our training sessions and often that means we concentrate on a few dances each session.
David: We are very lucky to have the hall, although the floor is a little bit small. Training by ourselves the
majority of the time makes us very responsible for our own dancing. Fortunately we do not argue over dancing,
we both believe it is a total waste of time and energy and certainly does not help us achieve our goals. It
certainly takes that little bit of extra commitment but I think it has made us better dancers. And besides, Irena
is a (Libran), everything has to be evenly balanced for it to work. Peace and harmony!
Irena having such a strong ballet background has been an immense advantage in our partnership although she
does become very animated and excited at training to say the least!
You are obviously very committed and dedicated to keep going, so who are your current coaches?
Irena: Our Coach is Ross Heidke in Brisbane. He is definitely a man of devotion and dedication to the world
of Dance and he instills his passion into all of his couples. He is a huge support to us both on and off the floor
and we respect him as a coach and friend. His balance of motivation, enthusiasm, experience and hard work
makes us strive to achieve what we thought was never possible. Then he wants more! More? Yes more, a
lot more! He is a ‘hands on’ coach, tough when he needs to be and expecting the best at all times. We are
very lucky to have Ross as our coach as he is very busy with back to back lessons, so early mornings or late
evenings fit in very well for us. He and Trish are extremely generous in more ways than one, we are truly very
grateful. Earlier on our dancing journey we were very lucky have to Jody Rollason and Steven Galdona as our
teachers, two people who have been wonderful contributors and mentors and who have been tremendous
support both on and off the floor. Thank you Miss Lady and Dr. Steven.
David: We have had a number of Coaches over the years and sourced the individual expertise of other
champions from time to time, all of which have helped us achieve wonderful success in dancing and it would
be remiss of me not to mention them. Kylie Ballard certainly started the process of the bigger picture in
dancing and we thank her for her expertise and guidance. Jody Rollason always there from the start both on
and off the floor, she continues to be an inspiration and great support not to mention an exceptional friend.
Photo by Greg McCormack gmack-photography.photoshelter.com
THE QUESTIONS YOU ALWAYS
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Steven Galdona took us for lessons at the same time as Jody, both coaches working us extremely hard to try
to get us up to speed. Steven too was a massive support both on and off the floor. We travelled to the Gold
Coast once a month and took 3-hour lessons with Steven and it was worth every minute. Steven and Jody
were both great mentors. When Steven went overseas for work, Anthony Egan took over our Ballroom also
working very hard with us. Unfortunately due to work commitments, lessons were few and far between. Then
there is our current Coach the fabulous Mr Ross Heidke who takes us for both Ballroom and New Vogue. Ross
is extremely dedicated to his couples putting in many hours of hard work to ensure they are the best they can
be. He is very much loved by not only us but by all his couples whom he works tirelessly with. His commitment
to us goes beyond all boundaries, both in our dancing and personally. Ross has also arranged lessons for us
with Glen Tierney, need I say more.
Who or what Inspires you, or has inspired you over the years?
David: In the early years, 1997 onwards Irena and I loved watching the Australian Dancesport Championships
on television with all the fabulous dancing. In particular a couple who we were in awe of and watched over
and over was Jason Beaman and Penny Bowden in their New Vogue Finals. We loved the Ballroom but their
New Vogue was certainly the main inspiration for us both. A secret, Irena used to call them Jason and Doris
Day. Their dancing set the scene and our love for our dancing ever since. The other main driver for myself
when watching the Australian Championships was imagining how fabulous it would be to make a final, walk
down the stairs and be presented onto the floor with a big audience watching. Well it took a long time but we
did get to live that dream and have done so now on many occasions, this is something we truly treasure and
are extremely proud of.
Irena: Yes very true. As newbies to the dance scene back then, we were certainly inspired by Jason and
Penny. They were a couple I could relate to. I thought they were gorgeous. I was so taken with the whole
ballroom world by this time that David just became swept up in it too. This evolved as an extension from my
ballet days but a whole new experience for us both, so making it to where we are today makes me very proud,
something I never imagined would ever happen. I still feel the same way about dancing today, I just love it all.
As with the advancement of technology our world has opened up to International exposure and this means I
am constantly inspired by many people both here in Australia and all over the world, I am forever learning and
still enjoying the experience.
You must have had many dresses over the years Irena, who makes your outts?
Sue Raymond of Coffs Harbour makes my ball gowns. Sue’s children were ballroom dancers and she made all the
ball gowns and latin outfits for her family over a number of years. Until recently Sue mainly made wedding gowns,
Physical Culture outfits and ballet attire including leotards and tutus. Sue not only makes my ball gowns, she is
also our very dear friend and great supporter. I am very thankful and grateful to Sue for all her hard work and
perseverance with me. I’m not a good decision maker, so the final product is a combination of whatever evolves!
THE QUESTIONS YOU ALWAYS
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Photo by Mark Gadsden dancesportphoto.net
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What is your favourite competition and why?
This is a difficult question to answer, as we like so many of the competitions and all for different reasons. We
like the Queensland Open for the convenience of having the accommodation and competition at the same
venue. It has a wonderful atmosphere and only 4 hours drive from home!
We love the competitions that have beautiful floors, like the South Pacific’s, National Capital and Australian
Dancesport Championships. We also really love the Tasmanian Open, for the floor, the people, the atmosphere
and Tasmania itself. Attending the competitions allows for us to catch up with friends and spend some social
time together. We very much appreciate the effort from the organisers, marshal’s and everyone behind the
scenes that make these competitions accessible to us all. The competitions provide a platform for which we
are able to dance in our full attire making us want to come back year after year to support these events. It’s
also a good opportunity to spend some social time with friends.
All those events have something special to offer that’s for sure. So you have danced now for many
years, what has been the highlight of your career so far?
Irena:Entering our first major competition, South Pacifics and winning the D grade New Vogue. It was really
overwhelming for me. The volume of competitors was very large and for us as beginners to win was certainly
among some of our treasured highlights. Our first win at The Australian’s and subsequent wins taking it to 6
Australian Titles in New Vogue and walking down those stairs and onto the ballroom floor, something that had
eluded us for a good number of years. More recently winning the closed Ballroom at Easter at the National
Championship Jupiter’s Casino and gaining the opportunity to represent Australia at the World Championships
in Canada in November this year. A tad excited! We will do our best, but of course we are more than aware
of the amazing standard we are up against. Nothing will match the experience of our competitors, but to gain
our own experience overseas will be immeasurable and flying the flag will be awesome. I am very excited and
indeed very proud, did I mention just a bit apprehensive?
David: I would have to agree with Irena having the opportunity to represent your country at a world championship
is a fantastic feeling. However, when we were nominated and won the Coffs Harbour Sports Persons of the Year
award Australia Day 2014 was also a fantastic feeling, both Irena and I were jumping out of skins at the ceremony
and feeling very proud that our hard work had been acknowledged by our peers in the local community. So many
people follow our every step on the dance floor via our facebook page and local media. Of course winning our first
Australian Dancesport Championship in 2008 is right up there as an exhilarating highlight.
What would you be if you were not a dancer?
Irena: A dancer. My former life I was also a dancer and dancing is something I have done since I was a little
girl. I suppose I’m still little, but no longer young! I started ballet from age 7, studied under the Royal Academy of
Dancing and gained my Advanced Solo Seal. I joined The Australian Ballet at age 17 and later The London Festival
Ballet England. My mother asked if would like to learn Ballroom like my older sisters but I wanted to learn ballet
DAVID & IRENA COMPETING IN 1999
Photo courtesy of David & Irena Brooks
THE QUESTIONS YOU ALWAYS
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instead. Basically I come from a dancing family, ballet, jazz, tap, acrobatics, eisteddfods, competitions, theatre
and then there were pantomimes, The Flying De Pauls, Ross Coleman and so much more. My sister was in the
Vegemite Ad and my Mum made all the costumes for the commercial. She was the most talented person I have
ever known and being profoundly deaf never once stopped her either and with six children in tow, she never once
missed a beat. To this day her heightened awareness and communication still puzzles me.
David: Wealthier!
Last but not least, What would you change about Ballroom Dancing/DanceSport if you could?
David: I think “Our Ownership of Dancesport”. We are all very aware that the participation rate in Dancesport
has been on the decline for some time. I think every single person involved in Dancesport needs to take
ownership and be responsible for its welfare , to be an Ambassador, to foster the interest of newcomers, to
make studios warm and inviting and a great place to socialise, to make new friends. To promote and attend
events away from the Competition floor and we definitely need to make it more affordable.
We need to let people know the fun times we have, the exhilaration experienced when performing, the glitz
and the glamour, the enormous amount of satisfaction we all get when achieving our gaols whether it be that
first medal placed around our neck at the local competition for our first win in recreational beginner division
or an Australian Championship Title. To let people know just what they are missing out on by not being part of
Dancesport or at least giving it ago.
Irena: First I would like to see Dancesport promoted a whole lot more. Have Dancesport more accessible to
children, they are an essential part to our growth. Not all families have the finances to be able to send their
children to dance lessons and often this is where you find your untapped talent that would otherwise never
be discovered. After speaking with a professional and learning of the way Dancesport is run in Estonia, their
method certainly sounds like a winning idea, where many many children get the opportunity to experience
the world of Dancesport in group lessons at a minimal cost. From there the talent is discovered, nurtured and
developed. In saying that, I would like to commend the fabulous work our young professionals are putting into
the children coming through the ranks. Everything from technique, grooming, mentoring and support is very
evident. The coaches, children and parents should all be congratulated. They are all such a joy to watch. They
are our future. It would also be great if a syllabus were introduced to enhance understanding of technique and
to include the history of dance. This syllabus can begin from any age over all styles.
The following is usually the type of thing I say to people who are interested in starting ballroom lessons:
“Unlike other sports where age is a barrier, fortunately Dancesport is for everyone, this makes it the most
desired sport across the board regardless of your age or background. But beware, it is very addictive, you’ll
love it, once you take the first step, you’ll find it hard to stop”
Editors Note: We would like to thank David & Irena for a fantastic interview for “The Australia Times BALLROOM”
and all of us would like to wish them the very best of luck at the World Championships in Canada. They are
great ambassadors for dancing in this country and we are sure they will do Australia and themselves very
proud in Canada.
THE QUESTIONS YOU ALWAYS
WANTED TO ASK!
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INTERNATIONAL NEWS
WDSF Athlete’s Commission
FROM THE ATHLETES’ COMMISSION- Antonio Micheli
Edition No. 3
“TRAVEL SUBSIDIES”
In addition to the established GrandSlam prize money that will be at stake as always, the top 12 couples in the
Latin and Standard standing will benefit from travel subsidies granted by the Wuhan organisers.
The Chinese DanceSport Federation and the Wuhan Sports Administration announced that couples placing
first to third will receive 1,500 €, couples from fourth to sixth 1,200 €, and couples from seventh to twelfth
800 € to offset their travel expenses.
Wuhan takes the place of Beijing as host city of a GrandSlam leg in the annual series through 2017.
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INTERNATIONAL NEWS
WDSF Athlete’s Commission
“NOT UNTIL 2015”
While all other amendments to the Competition Rules went into effect on the very day of their adoption by the
Annual General Meeting in Bucharest, the changes to Rule H (Showdance Competitions) will only be enforced
from 1 January 2015. Quite a few changes to Rule H were proposed by the Sports Commission and adopted
by the AGM. From H.3.2 limiting an entrance and an exit of the athletes to 15 seconds, to H.5 with clearer
definitions of a hold and on to a new proceeding suggested under H.6 Rehearsals (*), all these changes will
only go into effect from 1 January 2015 and do not apply to Championships and Cups held this year.
* 6.4.1 All athletes must be aware that their performances should have been reviewed by the National
Invigilators in their National Championships and that their performance is in accordance with the WDSF Rules
and Regulations for Showdance, prior to their participation in WDSF Showdance Championships.
“LEFT TO DISCRETION”
An article on amendments to the Competition Rules published on www.worlddancesport.org failed to make reference
to the fact that enforcement of the Rule B.2.3 is left to the discretion of each WDSF National Member Body.
The rule refers to the eligibility of athletes to compete in major WDSF Competitions. To be eligible to compete in
World Championships, GrandSlams and in games (such as The World Games, Asian Games, World DanceSport
Games, etc.), an athlete may - at the discretion of his or her WDSF National Member Body - be required to have
competed exclusively in the WDSF Competition System in the 12 months leading up to the respective event.
“COMPETITION CALENDAR”
BANGKOK, THAILAND - World Open St/La 06/09-07/09
WUHAN, CHINA - Grand Slam St/La 13/09-14/09
TAIPEI, CHINESE TAIPEI - Open St/La Pro St/La 11/10-12/10
Remember, if you have a complaint, request or suggestion please don’t hesitate to contact me:
Antonio Micheli
Oceanic representative
WDSF Athletes Commission
Ph: +7 9671396101
Mail to: antoniodance@me.com
INTERNATIONAL NEWS
WDSF Athlete’s Commission
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INTERNATIONAL NEWS
2014 WDC German Open
HANNES EMRICH Reports on the 2014 WDC German Open
After the excitement and historical battles of the Blackpool Dance Festival, the European WDC circuit continues
with the WDC World Super Series Events for Professionals and WDC AL German Open for Amateur in the beautiful
Rosengarten in Mannheim. Whoever has had the privilege of competing in this venue surely remembers its
special atmosphere and the organiser Stefan Ossenkop on behalf of m:con has done his utmost to provide
competitors with all the conditions that have become the WDC and WDC AL Trademark.
A great audience, live orchestra in a fabulous venue and an outstanding panel of expert judges to evaluate the
performances. No less that 61 World Titles are held within the panel of adjudicators: Caterina Arzenton (Italy),
Hannes Emrich (Austria), Gaynor Fairweather MBE (Scotland), Hansi Galke (Germany), Richard Gleave OBE
(Great Britain), Marcus Hilton MBE (Great Britain), Evelyn Hörmann (Germany), Markus Homm ( Germany), John
Kimmins (USA), Gary McDonald (USA), Leonid Pletnev (Russia), Svein Røtvold (Norway), Sergey Ryupin (Russia),
Mirko Saccani (Italy), Augusto Schiavo (Italy), Igor Soronovych (Ukraine), Rudi Trautz (Germany), Michael Wentink
(South Africa), John Wood (Great Britain), Snieguole Wood (Lithuania).
This, coupled with over 5000 overall entries in the entire Festival makes this one of the biggest Festivals in the World.
To the events and the finalists of the 4 main events:
2014 WDC German Open Panel of Adjudicators
Photo courtesy of Hannes Emrich
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INTERNATIONAL NEWS
2014 WDC German Open
INTERNATIONAL NEWS
2014 WDC German Open
WDC WORLD SERIES PROFESSIONAL BALLROOM
1. Andrea Ghigiarelli & Sara Andracchio-Ghigiarelli (Great Britain)
Danced at their usual best , giving a champions performance. Andrea has the ability to create a lot of light and
shade in the performance keeping the interest of the spectator.
2. Sascha Karabey & Natascha Karabey (Germany)
Sascha and Natascha have long been the exponents of excellent dancing quality when it comes to movement
and they did not disappoint on home ground. Natscha is in my opinion amongst the very best ballroom ladies of
all times, personifying the highest quality of postural awareness.
3. Eldar Dzhafarov & Anna Sazhina (Azerbaijan)
Eldar and Anna are one of the most improved couples in the Ballroom field and Rising Stars of the Professional
Ballroom scene. Big powerful movement and their dynamic qualities make them now a force to be reckoned
with and came in a clear third.
4. Steffen Zoglauer & Sandra Koperski (Germany)
A couple with an excellent Tango and Quickstep and a musical awareness that is coupled with great quality feet
and ankles, which gives them great control. The reigning World Professional 10-Dance Champions created a
good performance today, but were pushed very hard by Gaetano & Manuela.
5. Gaetano Iavarone & Emanuela Napolitano (Italy)
They are newcomers to the Professional field and already making a big impact. After their inclusion in the
Quarter Final of the British Open they have now taken on the challenge of attacking the established Professional
couples and with a mix of Italian flair and very classical English styling, they managed already to the Foxtrot of
Steffen and Sandra, with a very close result in all remaining dances.
6. Rudiger Homm & Julia Niemann (Germany)
Rudy and Julia danced a good competition after a rather quiet British performance and were rewarded with the
inclusion in the final. Further improvement in the topline to present a clearer picture will help to complement
their quality movement.
WDC WORLD SERIES PROFESSIONAL LATIN:
1. Michael Malitowski / Joanna Leunis (Great Britain)
Michael and Joanna are great exponents of a dynamic approach to Latin dancing and Joanna’s ability to spin
and control her movement is of the highest order. Unfortunately the focus on their strengths has resulted in a
lack of lack of authentic action and precise use of timing and this could be improved.
2. Andrej Skufca / Melinda Torokgyorgy (Slovenia)
Rhythmical and dynamic, with a totally different approach to that of the winners, Andrej and Melinda concentrate
on a more traditional approach based on sound technique and Melinda’s trademark kinetic style. For me they
challenged very strongly in some dances and very clear runners-up.
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INTERNATIONAL NEWS
2014 WDC German Open
3. Emanuele Soldi & Elisa Nasato (Italy)
Emanuele and Elisa excite with a vivacious and rhythmical style and the sensitivity, especially shown in Rumba
is of the highest order.
4. Dorin Frecautanu / Marina Sergeeva (Moldova)
Dorin and Marina are a relatively new partnership, but that does not diminish the huge experience of Dorin as a high level
male exponent of Latin Dancing. I feel with Marina he has found a partner that creates a solid base for his sometimes
very artistic approach. Sometimes too soft for me in action, and creating a too even dynamic throughout the dance.
Denis and Vika are bold and powerful dancers with a strong overall image and those qualities earned them a
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INTERNATIONAL NEWS
2014 WDC German Open
2014 WDC German Open Professional Finalists
Photo courtesy of Hannes Emrich
INTERNATIONAL NEWS
2014 WDC German Open
final spot. Clarity of intent is now needed to create more refinement. Nevertheless an excellent performance.